[Gllug] Re: Anti-DRM event in Central London tomorrow!
Leo Hickey
hickey444 at yahoo.co.uk
Sat Sep 30 01:30:55 UTC 2006
> Did the original artist of the music make up every note, or was it
> "influenced" by other music ?
If the film maker had himself created music influenced by other music he
would not have been asked to pay the royalties.
> Is $400,000 a reasonable amount to pay for using one piece of music ?
If the guy made $10m from his film, then yes. I don't know how much the
guy made, I'm just saying its relative.
> Is there a better model...
Quite possibly, but Lessig does not discuss any other models.
> You seem to be tied into an either/or mindset, either somebody who wants
> to use a work pays up whatever extortion the rights-holders see fit to
> charge, or else it's theft.
I am not of any mindset. I am open to persuasion, and my point was that
I was not particularly persuaded by Lessig's presentation. While we are
on the point, a lot of the discussion about DRM seems to be either/or.
Either we have draconian, evil DRM or nothing.
>> Another example was someone who remixed Beatles tracks without
>> permission and was not allowed to sell the remixes. So what? why
>> shouldn't the Beatles be able to say they don't want these remixes sold?
>
> ... Because it's hardly likely to make
> even a tiny dent in the Beatle's income ?
So you would like to have the power decide that when an artist becomes
too rich then they are no longer entitled to any more royalties?
> I believe the tune "Happy Birthday" is copyrighted by somebody. How
> would you feel if you had to pay a licence fee every time you sang it ?
Rather annoyed. But I don't, and neither do I have to pay a licence fee
when I sing a Beatles song in the same context ie in my own house.
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