[Gllug] Re: Anti-DRM event
Christopher Currie
ccurrie at usa.net
Mon Oct 2 19:07:38 UTC 2006
-On
Mon, 2 Oct 2006 12:51:57 +0100
David Damerell <damerell at chiark.greenend.org.uk> wrote:
> On Monday, 2 Oct 2006, t.clarke wrote:
> >Seems to me the argument that copyright (as it exists with a ludicrously
> > long protection period) is somewhat bogus. Lack of huge royalty fees for
> > ever and a day didnt stop the likes of Mozart, Bach, Beethoven etc it
> > would seem !
>
> That's pretty close. It seemed like a useful compromise when it came
> in (or, more accurately, when the original laws intended to maintain
> publishing monopolies got bent into a new shape); that doesn't make it
> a fundamental right or necessarily the most useful compromise - in
> particular the damage done to the public domain is much more when
> anyone can distribute music essentially for free than (say) in 1850
> where only people with printing presses can distribute books anyway.
>
> In particular one of the things society _ought_ to say is that if
> people want the legal right to restrict distribution of their works
> they cannot also employ technological restrictions.
Moreover given that the great majority of copyright works are created by
authors working for employers, it is clearly not true that authors need the
incentive of lifetime plus 90 years' protection. All they need is the
incentive of a salary secure for whatever the minimum period most authors'
salaries are secure for; and clearly the employer doesn't need life plus 90
years' security to provide them with that salary.
Copyright has simply become a form of rent for the rich, and distorts
incentives for both producers and even investors (it encourages investors to
think they can invest in such rent-seeking rather than in productive
enterprises). It guarantees the eventual decline of Western society, even if
we survive global warming, IMHO.
It is in practice extraordinarily difficult for an ordinary individual or a
small institution to enforce copyright, even if all you want is
acknowledgement.
Christopher Currie
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